Yola, Paul

0:10HostWelcome to Interceptor Beyond Podcast. My name is Arthur. And today on the episode, we have a band from Austria, the Great Grey Funk. Really nice people recorded at the secret location. Don't forget to follow this podcast on Spotify or any platform if you dig it. And please rate the show on Spotify and Apple Podcasts if you dig it. All right, let's talk to the Great Grey Funk.

0:39HostAll right, finally we met. So last time we should have recorded an interview when I was interviewing Mami is Mental and Mind Control.

0:49?Yeah.

0:50HostYeah, so it didn't happen for whatever reasons. It's not really important at this point. But what's interesting about your band is that because at that point, I didn't know anything about the band musically. Like there's no music. There was no music at all, I think. Right. Yeah. Yeah. Yeah. Now I have music. You gave me music to check out and pause. You released two singles. That's right. That's right. Yeah. And so first of all, I really like the music. Oh, thank you. Thanks. That's good to hear. And I will tell you why I like the music because it sounds to the artists that I also like. I have notes. Chelsea Wolf.

1:39HostI need to a little bit have my pronunciation in check.

1:53?A big one.

1:56HostOkay. So Chelsea Wolf. Chelsea Wolf. Also, Aspen and The Witch.

2:04HostAll right. Emma Ruth Rundle. Oh, yeah. Oh, wow.

2:13HostBut it reminded me. It's a true, true, true thing. And True Widow. True Widow is also like an artist. This one, I think you need to check out also. Yeah.

2:28HostSo, all good musicians. And that's what impression I had from your music. So, it's dark music. A little bit of melancholic.

2:39HostIn singing in the darkness.

2:42?Yeah.

2:47HostAnd usually, people who sing melancholic music or make melancholic music are really happy people.

2:58HostHas that been your experience? I only have one experience where it actually was like this when I interviewed Broom. Okay. Because I couldn't listen to their interviews. There were no audio interviews. There were only written interviews. Yeah. And only photos, right? So, I thought they're like serious. Because they play melancholic, sad, doom music. Right, yeah. And I was like, okay, these guys are serious. They're from San Francisco, I think. Okay. And then when the interview started, they're like drinking beer at 11 o'clock in the morning at that time. Super funny people. One of the greatest stories they told me. I mean, since then, my experience is like never, never expect everything. Yeah, that's true. Or expect nothing.

4:03HostOkay. So, happy people making sad music. So, in your case, what was the... First of all, there's almost no information regarding your band. Because you just happened in the last two years, I think. Yeah, yeah. And the music only appeared online for the last three weeks or something.

4:27HostSo, you have to tell me the basic stuff. How did it happen, at least?

5:38HostSo the current bass player is David.

5:48HostI know Bernie because I took photos of Bernie. He also plays in the band Hangover Division. Oh, yeah.

6:00HostWow, this music seems so small.

6:18HostIn the summer. Soon, for the potential tours.

6:31HostSo it means that you already have tour dates.

7:02?Yeah. Yeah.

7:05HostAll right. That's a good start.

7:09HostIt's like since I started doing this podcast, I'm in the Arena quite a while.

7:15HostJust recorded last week. Okay. Yeah, yeah. Whatever. Next week maybe also. Anyway, so, okay, so, you start, you're going to play some, you played live show before. It's just there was no music online.

7:35?And it became pretty clear that we had something nice on our hands pretty soon. So we started just sending demos out to labels.

8:10HostIs it like a new experience for you to be on a record label?

8:15?Totally new. Yeah. Yeah.

8:29HostEugen has also played some Blossomers. And you were at the show yesterday.

8:38HostDid you know you weren't there? No, but I did research on you.

8:47HostOn my podcast, you can do any kind of shout out if you want to help out people. Yeah.

8:59HostI wanted to ask, all of you are professional musicians? I mean, studied music?

9:07?Yeah. Yeah.

9:32HostSo he's doing all the social media. Who's doing the book? Do you have responsibilities in the band?

9:45HostYou should take some of the tasks from him. Yeah. I'm telling you for the sake of the band in the future in five years.

10:28HostOkay, but that's social media. What about booking, organizing?

10:40HostAnd you will not get it for a long time until you get up. Maybe Stone3 will help you out, of course, you know. But in the beginning, you're going to be doing that yourself. So you need to decide who's going to be doing it.

11:18?That's quite long.

11:25HostWell, Bernie has also like three, four bands that he's playing in. Also doing the same thing. Somebody is somewhere. Or Pulaski has his own bands.

11:47HostYeah. It's available on YouTube. That's right. Which is translated, you will be like God.

12:04HostMaybe, yeah. I mean, the full phrase, Eritus Citus Deus Sientes Bonum et Malum. You'll be like God knowing good and evil. There you go.

12:12?Yeah.

12:15HostYeah, and you can read the lyrics on YouTube. It's good that you write lyrics there. And you should do it on all your songs. Write lyrics under the YouTube. Yeah.

12:24?Perfect.

12:25HostSo how, okay, let's talk about this song. How did it come about? How did you record it? Ideas? Where did you record it? How? Do it yourself or friends or something?

13:20HostAnd it was like, oh, like from the very beginning, it was this doomy, not doomy, but gloomy, the dark. Yeah.

13:47HostThat was one of the reasons why I wanted to interview you because I have a good feel for the bands usually and from, just from the photos that you were posting on social media and the combination of who you are, because I knew who you are, I was like, so really like looking good, potential, I'd say like this. Right. Just without music, just based on, on, on the feel that you get. I was like, okay, it's my stuff. All right. Probably. Yeah. You remember before listening to the music, right? I was like, okay. Yeah. And when I listened to.

14:31HostAnd yeah, exactly. The most important thing is do you have, if you have a vision, if you have an idea, where you're going, the direction, because some bands are, and you have the style that's consistent so far in your social media. Yeah.

14:58HostI mean, after a while you will probably switch because you can't be doing a black and white open sound.

15:11HostAnd you need to make a decision like in a way that are you going to be comfortable with this image in the future? Right.

15:26?lot. For example, the band Broom, same kind of music like you. Let's say like this, let's say like the same kind, maybe it's all different. Yeah.

15:36HostYeah. But all black, uh, black clothes and stuff, but they have, uh, uh, uh, color colored photos, not black. Right. Yeah. Yeah. And you can play with closing all the time. So it's, it's just for the beginning, just to get the feel you have back in white, but then you will, I'm pretty sure you will experiment with some stuff. Yeah.

16:00HostSo at the spot, okay. Uh, we, so it was, what about the, uh, new music, right? Uh, after the second, second, uh, single, right. Which was.

17:08HostWe're going to note it.

17:10HostFirst lyrics, first experience. We're going to trash it.

17:46HostYeah. When you, probably when you write lyrics, uh, it's easier to compose a melody and vice versa because you already know how it flows now.

18:07HostBut it's a work in, in a collaborative, creative way. So you need to constantly change and stuff. So in your case, okay, this was like a first experience when you like as a band made, uh, created a song, right? So, so it's like not pre, uh, pre-composed.

18:49HostA good job writing a melody, lyrics for the first time in the melody. People like. True.

18:54?Yeah.

18:55HostAre we going to make it being a bit jealous already? Are we, are we feeling already, ah, no, there's no jealousy.

19:20HostSo this is the two songs that are available at the moment. Yeah.

19:24?Yeah. Exactly.

19:25HostWhen is the new stuff coming out?

19:28?On the 12th of May.

19:38?Yeah.

19:47HostSo no, no live performances with Bernie for, for, uh, until this point right now.

19:57HostI mean, I'm sure it's going to be fine, but it's just interesting how you're like, like really thoughtful today, you know, like, is it Saturday or like, I mean, Saturday and you were covering after yesterday, right? But you're like, but like, it's like, wow. Yeah. Yeah.

20:36HostWhat's the plan? Uh, okay. If this band picks up, goes, uh, pretty good.

20:41?Right.

20:41HostThat's always a dilemma with the bands. Musicians have several bands.

20:46?Yeah. And then here the conflict starts.

20:52HostOkay. This band is successful. What do I do with my friends that I played with since I was 16? I love that band, but I don't have time.

21:42HostI know I'm asking the hard questions because. Yeah. Yeah.

21:58HostOkay. I'm going to say it like drop other bands and focus on, on, on, on one band. That's what I heard from, from the bands who made it. No. Because I asked pretty much similar questions to all the bands to see how it's going. And they said, you need to focus on one band. If you feel that it's going.

22:26HostI'm going to be saying this. Yeah.

22:35HostI mean, it's, everybody's like a, that's why everybody is in different bands. They expect that one of those will blow up and everything will be fine. That's why to have more possibilities. I mean, it's, it works both ways. When you have one band as you start, you start only with one band or you have several bands.

22:54HostBut just understanding that you need to concentrate on one band when the time comes.

23:10?Yeah.

23:11HostSo, uh, it's, uh, the, the band, was it like a COVID project?

23:17?Yeah.

23:23HostThat's, I don't, you officially started in 21.

23:36HostBut pretty much, you said, okay, the bass player changed a little bit, like, right? Yeah. The beginning. But everything else pretty much stayed the same.

24:18HostIt's good. All right. So two singles, one album, uh, Stone Free Records. Uh, all right. Well, we know Stone Free Records from other bands. We, what, what also are there?

24:39HostI always called them Kadu. Yeah. Yeah.

24:50HostWell, I say, I say Kadu because it's like in Kapu, Linz, there's Kapu, there's Kadu. So it makes sense, right? Yeah. Did you play in Linz recently? No. Ah, no. No. Because I might be confusing already with, because I interview many bands, so it's possible. Yeah.

26:05?Yeah.

26:05HostHow was the experience of the first gig as this band?

26:35HostSo it was a safe environment.

26:40HostAnd it was the first time everybody heard your music. And what was the response?

26:57HostYou mean the Vienna Music Institute?

27:00HostShout out to Ella.

27:17?Yeah. Yeah.

27:18HostThat was also one of the reasons why. As I said, I knew who you are. I was like. All right. The professional musicians. Yeah. With the music theory. High bar quality. Yeah. Approach. It's interesting how. What's it going to be?

27:38HostI don't know. Did anyone say like. Okay. This like note. You didn't take the note right at the exact moment. You know. Like.

28:07?Oh.

28:32HostDoes VMI. Have a specific. Direction. Music direction. Like jazz. Like jazz.

28:41HostI wanted to ask about. Like. I always thought that jazz is more. No. Classical music is more critical. Yeah.

28:50?Yeah.

29:08?I'm.

29:12HostAre you still studying there?

29:15HostBecause I wanted to ask. Maybe you could present. Your. New album. Yeah. As a project.

29:25?Yeah.

29:25HostCongrats on being done with VMI. Thanks.

29:33HostAll right. How does. Okay. So. How was the process of recording the album? Right. So. You. What was. Did you. Did you record. The. All the songs together. Or it was a process of. Spread out. Composition. Recording.

29:51?So.

29:51HostAnd tell me who. Yeah. Who mixed it and mastered it. Yeah. And where it was recorded.

29:58HostWe're doing the Wikipedia page here. Right.

30:16?Studio work.

31:23HostFor the listeners it's highly professional studio equipment.

31:41?Yeah.

31:55HostSo it's like almost DIY. Yeah. What about the producer part? The producer. How did you come to know Matthias? Connections of Eugen?

32:21?Mm.

32:28HostHow was the work with Matthias? How did he contribute to the album in a way? Did notes change this? Did you record something? Did you change parts? Or he mixed it and did the whole processing part?

33:34HostThat's how that would feel. You know. It's like I've never been. You say I've never been there. I've never been there. Like okay.

33:50HostWas it a surprise for you to hear the sounds? For the first time. Yeah. That's what he did.

34:12?Yeah. Yeah.

34:22?Was it scary? I was.

34:23HostI don't know. I was just surprised as to how good something can actually sound that I recorded through a

34:31HostI ask. It's a trick question. I ask. Was it scary in a way that it's so good. Whoa. I have to play so good. Yeah.

34:48HostNo. No. No. I did. It's a trick question. Yeah.

34:52?Yeah.

34:57HostYou're a voice teacher.

35:01?Yes. I am.

35:02HostHow can you be insecure about your voice? Well.

35:30?What about it?

35:42HostBut what do you mean? Like. The quality of your singing. Or the style of your singing. Or the overall vibe.

36:10HostYou needed a therapy. When you heard your voice.

36:19HostSo that we can like.

36:20?Yeah.

36:22HostHe should come to rehearsal.

36:56?So that helps.

36:57HostWell. Wait. Wait. Let's do a therapy session.

37:02HostI'm going to save you a lot of money. Sounds good. Sounds good.

37:06?Let's talk it out.

37:07HostLet's talk it out here. It's a safe space. So what don't you like about. The way. The voice comes out. Of the music speaker. Is it the technique. Of how you take the notes. Is it the. Tell me. I'm not a musician. So you need to. Explain me. Like to a child.

37:29HostIs it not the same. How you imagine it. Or. Your expectations. And what comes out. Is different. Or is it like. Oh. Is there something like. About the sound. Or how you sing.

38:13HostSo you basically. Didn't have much experience. With recording. So it's new for you. The recording part.

38:37HostAnd you're also at the front of the band.

38:51?I mean. Because. You know like. When I see the social media. And I hear the music. In my imagination. Everybody's super professional.

38:59HostBeen singing for a long time. Playing for a long time. Yeah. You don't. We don't know. That you. Don't have much experience. Recording. Yeah. Or being as a lead.

39:14HostRight. It's. People don't. Don't feel anything. Yeah. They don't see anything bad about it. Yeah. Of course. Yeah. So. All right. So. A little bit of. The clarity is there. You don't have much experience. It's new for you to hear your voice. And to see yourself on stage also. You haven't seen yourself on stage yet. Yeah. How it's recorded. How you look like on stage. Or a little bit.

39:40HostIt's the next step. Yeah.

40:49HostYeah. Well that's why the band is there. To support each other. Yeah.

41:09HostWhere do you usually look. Pauli. When you play. On your feet. Or in the crowd.

41:22HostBecause Jola needs to look. In the eyes of the people. Of the audience. Yeah. No. There's no choice for her.

41:30HostYeah. Yeah. That's why it's harder for her. Yeah. No.

41:35HostI know. We all know. It's hard. It's just. I'm trying to. Yeah.

41:41HostI also have a guitar to hide behind.

42:04HostYou need to figure. I mean. There's a lot of stuff. What to do. Like. For example. What to do with your hands. Yeah. With the actor thing. Like. What do you do with your hands. You know. Like. When. When nothing is happening. For example.

42:16?Yeah.

42:17HostYou need to figure out the live performance. What to do. Because. Your band. That. Can be. Can really benefit from a nice. Theatrical performance. Yeah. Yeah. Dark. A lot of fog. Yeah. Smoke machine. I love that stuff.

42:40?Like. Like. With some. By the way. Like. We're not far away from. There's an office. The guy. I think. Guiding. Guiding light. Or something. Yeah. Yeah. He's a visual. He's doing the lights. Oh nice.

42:54HostSo it's a couple of streets. Okay. Okay. From here. So. I could see. Once we made. A video for Hangover Division. And he brought all his stuff. Because we filmed at his place. Oh. Okay. Yeah. Yeah. So I could see what is possible in general. Yeah. And I was like. You can do so much cool shit. Yeah. And with your band. You can make it like really. Like. Like. Like moody. Like. Really cool stuff. Yeah. But I mean. It will take time. Yeah. And like. The light is not available everywhere. So you need to decide. With a simple basic stuff that you can have. Yeah. In each menu. What you can do. But.

43:35?Yeah. Because like. You can do a lot. Yeah.

43:37HostI can tell you. I'm a visual guy. I'm doing music videos for bands and stuff. And album covers and illustrations. I'm a visual part of the music. Yeah. That's why I'm talking about it all the time.

44:08HostYeah. You're going in the right direction.

44:17?Ideas.

44:20HostYou can actually like. I mean. The LED light. That you can buy online.

44:25?Yeah.

44:25HostLike. It's just. White light. Because you can have. Like. With your band it works. Right.

44:32HostCorrect. Yeah. Just a couple of. Of those things. That you can switch on with your. Like. Maybe. Or something like this. Bam. Already. Like. You don't need to be like. Super good. If you want to stand out. From all the musicians. Yeah. You need just to be a little bit.

44:53?Yeah.

44:55HostDefinitely. Definitely. The live performance. It's the first time you see it. Through see the band. It should be good. It's highly. Usually. When I go to the. Because I record. Interviews live. And I go. And see the musicians play live. This is where I make the final decision. If the band is good or not.

45:18HostBecause you can see how people behave on stage. Move on stage.

45:23HostWhat's wearing. What's the clothes.

45:27HostYou have. You have time. To prepare. Yeah.

45:35HostI'm already impressed. I'm interviewing you. So. It's all good. You know. But. For the people. Because.

45:43HostI'm pushing you into the. Into the corner of quality. Yeah.

45:52HostI'm really evil. I know. That's okay. It's okay.

45:58HostI'm just saying that you have all the ingredients. That's good to hear.

46:13HostAnother trick question.

46:40?everything but not expecting that much. We are really like going with the flow. Let's see what happens.

47:11HostBut still like setting a little bit of goals you will need it. Yeah. Because you'll get lost in the forest. Yeah. Of between the gigs. Yeah. Because once the album comes out you need to be touring a lot. Can you actually do how long. I mean everybody has day jobs which is hard. You need to go on a promotional tour so to speak. That's the next step. I mean there are no rules in reality. And maybe I don't know anything also. Of course.

47:53HostI will set the goals for you. All right. That sounds good. Yeah. Let's make a plan. Which venue would you like to play? How many people? Or which festival would you like to play?

48:06HostWe're not talking about like dream festival. Yeah. Let's do a little bit. Realistic. What's for example Arena Wien. Große Hale. The big stage. 1,000 people I think the capacity.

48:23?Yeah.

48:36?Yeah.

48:36HostI mean everything is. Well for the festivals you need to start applying at least half a year. Yeah. Yeah.

48:44HostWas there music?

49:05HostWas it sad? Was it. I mean I know it's depressing when you don't get responses from booking especially. You know. Yeah. Nobody likes our music.

49:15HostWe suck.

49:17HostYeah. But reality is just.

49:21HostIt's not about the music actually. No. I mean music is good right. But in your case there was no. You don't exist basically. And they're not going to put no name on in the festival. Yeah that's the thing. You need to be like a friend friend.

49:35HostWho at least believes in you. You know. But at the same time they need to bring people. I mean it's a slot in the festival. So. And they can fill it with anybody.

49:45?Yeah.

49:46HostAnd they need to choose. Yeah.

49:48?So. Of course yeah.

49:50HostBut after the release of an album. That's different.

49:53?Yeah.

49:54HostIf you make an impression.

49:56HostYeah. Invite some press people. Maybe. Get a nice growing momentum. Which is like a big thing in the music industry. And in general.

50:06?Yeah.

50:06HostGet the ball rolling.

50:09HostI'm putting more pressure on you. Yeah.

50:17HostAnd when I mentioned 1,000 people. How is it to be in front of 1,000 people?

50:49HostI'm just mentally preparing you. That for example. You play at Arena. Small. Small. Right. For example. Somebody likes it from the booking people. Yeah. And they're like. You know. It will be a perfect warm up. For the upcoming band. Yeah. And she's going to play at Arena. Yeah. And that's just as highly possible. Yeah.

51:21HostI'm trying to be like. Practical.

51:24?Yeah.

51:24HostLike. Do you know anybody from Arena people? Like. Or it's. Through.

51:36?Yeah.

51:39?You should. You should. Yeah.

51:42?Yeah.

51:43HostBut in a way it is like that.

51:54HostFor example. I. Like. One of the reasons why I do podcasts is networking. It's not a big secret. Yeah. Of course. So for example. I know you. Right. We'll see how the music goes. Like. I mean. So far the music is great. Right. But how the whole thing goes. I know broom. Right. Who plays doom metal. Right. And at some point. They'll become. They will come to Europe. Sounds good. Because I know them. You know. I can always recommend you. Yeah. Or somebody to this band. Yeah. So. Hang out. Hang out with. Listen to music. Go to the gigs. Talk to people.

52:28?Yeah.

52:29HostYou're not going to go far. If you're just going to be in Europe. No.

52:41HostYeah. All right. So.

52:45HostI'm getting you. Mentally. Disbalanced.

52:50HostBut at the same time. I'm. If we. When we talk about it. It doesn't feel so bad. You know. You kind of already know what to prepare for. So. When is.

53:00HostWho's. Who's. I don't think that. I'm sorry.

53:03?Dave. Dave.

53:25?Yeah.

53:26HostSynthesizers. Yeah. I was about to say. He plays keys. He plays keys.

53:47HostSo you're going to have to. Changes. I mean. A lot of stuff is going on with you. Yeah. So. You're going to play with.

53:56HostWith Bernie. Then the album comes out. Then you need to. Switch again to David. And see how that goes.

54:02?Right. Yeah.

54:11HostHave you thought about all this stuff? Not really. Right. You just go. It just goes. It's fine.

54:17?Yeah.

54:18HostYeah. I don't say it's a problem. It's here. I'm just pushing it into going faster.

54:26?Yeah.

54:48HostIt will be a little bit different. Of course. Because. It will be post. Yeah. Yeah. New experience. Dave. You haven't been there.

55:02HostNo. No. I'm joking. Everything is going to be fine. Look. You're going to be fine. I'm just. I'm just like throwing these questions to see how you're going to react. But you're reacting normally. Yeah. Okay. Within.

55:15HostIt's not like I'm expecting some. Some. Yeah. Extra. But I just wanted to ask questions that.

55:21HostThat you need to think about. Because I'm doing this so that you would go like famous and then we can make music. Music videos together.

55:31?Yeah.

55:36HostNo. Of course we're going to stay in touch. And everybody that I interview, I always refer to these interviews as an example. You're going to be in my future interviews as an example of, okay, they didn't know anything. Right.

55:51?Fuck off.

55:53HostWhat do you know about the music industry as a professional? Lawyers, contracts, splits, tour managers.

56:57HostHave you toured a lot in previous bands?

57:19HostWhat's the name of the band or the black metal thing?

57:35HostOkay, that's experience.

57:43HostThat's another thing that you need to figure out, but you're going to be fine, of course. The touring part. Yeah. The booking shows, touring and preparing and stuff. Yeah. Especially around Europe, because as I recommend, don't play too often in Vienna. Yeah.

58:10HostGood decision.

58:11?Yeah.

58:12HostBecause when I see, when I see the gig list or who's playing and I see the same names, it's like, oh, too often. It's boring. It's just not boring. It's just, I see, like as a human, you see, it's like, oh, they play all the time. I have time. Yeah. Sometime later to check them out. Yeah.

58:30?Yeah.

58:30HostI mean, there's nothing to, it's the same thing or whatever, just mentally. It's nothing special. Yeah. Nothing special, you know. But if it's like once in a while, or even better, if you can make like small tours around Austria, it's so much better. Yeah. Yeah.

58:45?True, yeah.

58:52HostStart with Austria, then neighboring cities. Yeah. And then you spread out. But it's also possible that it will go nice and you get an opening slot for a band, and then it goes up. Yeah. Yeah. But at the same time, it might take the other way around. It might take five, ten years before you get something.

59:19?Yeah. Most weeks.

59:22HostBecause, like, from the bands that I was talking, like, when I was interviewing a couple of weeks ago, Cad and Mikla, a band from Iceland, they were opening for him. Okay. Yes. They were around since they were 16. So it took them ten years before they got, even though, like, what's the singer for The Cure? Robert Smith?

59:46HostRobert Smith discovered them at some tour, like, promoted them. Still, it took, like, six years or five years. Right. Crazy.

60:08HostHuh. I thought it was a good idea. I will post the... What's the... Faceless. I will post Faceless on the Reddit Doom page. People, there are nice.

60:17HostThanks a lot. I mean, it's just a posting. You can do it also without me. It's not nothing there.

60:29HostBecause Reddit is, like, a new discovery thing. Yeah, yeah, yeah. It became... It wasn't... It was kind of, but now it's like, I... Like, there's a community there.

60:43HostSome people are nice. Yeah, it depends. But in my experience, most people are nice.

60:52HostSo, yeah, something like that. Because you will fit in pretty well there. Because it's on a good level, the qualities.

61:09HostDo you put... When you were recording the album, do you need to put yourself into this mood of Doom and... Well, not Doom, melancholy. Well, darkness. Not at all. Or it just comes out.

61:49?Yeah. But, yeah.

62:03HostIs the vinyl going to be released for your album?

62:06HostHow many copies?

62:13?Yeah.

62:13HostOoh, color for this great, great font. It's going to be gray.

62:22?There's no color.

62:23HostNo real color. There's no blood on it somewhere.

62:29HostOh, or maybe, like, put some ashes of something on it.

62:36HostBecause it's gray anyway, so...

62:56HostHe worked with other musicians.

63:52HostBut it's not the visual that we see online at the moment.

64:14HostSo it's, like, a secret. Like, nobody knew. It's not like you said, like, oh, this part of this image is a part of...

64:26HostWell, now we know.

64:31?Of course.

64:34HostIt's time for the song. Which song should I put at the end of the interview? Which is a good introduction to your band.

64:43?Faceless.

70:44HostThank you, the great Grey Funk. And thank you, dear listener, for staying till the end. Don't forget to follow this podcast right now on this platform. Come on, just hit follow. Of course, if you dig it. More stuff to come. Until next time, take care and bye.